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HomeHindustani VocalsIntroduction to Hindustani Classical Music

Introduction to Hindustani Classical Music

This is an Onlive (online + live), 1-on-1, Hindustani classical course that is available for all beginner learning levels on our platform. Taught by veteran and mentor Ghulam Hasan Khan, this course is all about learning the different styles in Hindustani classical music. These will also include imparting basic knowledge of all 12 notes, including Shudh and Komal Swaras, introducing the importance and concept around Raag Paltas and associated exercises, and educating about Ragas, Thaats, Samprakritik Ragas. For eg- Ragas like Shudh Bilawal, Yaman, and Bhairav. Taught over a span of 20 weeks, these classes will be held for a duration of 45 minutes, once a week. On the successful completion of this course, the enrolled students will be able to incorporate these singing styles in their singing or while learning different compositions in Hindustani music. 

  • Course Duration

    20 Weeks

  • Course Level


  • Instruction Language

    English, Hindi

Available For All Age-Groups

Childern, Youth, Adults, Seniors - All are welcome!


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US $36(1-on-1 Class)

per class (Tax Exclusive)

1 Week = 1 Class

1 Class = 45 minutes

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Educator Profile

Ghulam Hasan Khan

12 Years Experience

From: India

  • Teacher Skill Keywords:

  • Education

    MA (Music Honors) from Delhi University

  • Work Details

    Senior Consultant - T-Series Stageworks Academy

Course Details

In this online course of weekly 45 minutes over 20 weeks, students will get to learn music online and practice the various vocal methods to sing Hindustani Semi-Classical Vocal Music. They will also get an introduction to Hindustani Raaga based classical music and learn to sing those songs after achieving at their respective learning level. The students will also learn all about the technicalities in those compositions. In this online course, students will have personalized need-based training, methodology comprising voice and word clarity, training that is aimed to make the student confident and camera-friendly, and stage performances with a live band. Students who are starting at a beginner level will have their course customized at an introductory level, which will help them grasp the basics of their singing styles in Hindustani classical music.

About the instructor: Ghulam Hasan Khan is an Indian classical musician in the Hindustani music tradition. He belongs to the Rampur-Sahaswan Gharana and is the grandson of Ustad Ghulam Sadiq Khan. Ghulam Hasan Khan the eminent young classical vocalist, is a living embodiment of the continuity of Indian Music tradition through heritage. In an era when music has been reduced to mere entertainment, Ghulam Hasan Khan is a moving and reassuring example of uncompromising purity. Born in 1994 Ghulam Hasan Khan belongs to the Rampur – Sahaswan Gharana which owes its allegiance to Miyan Tansen’s tradition. He was initiated into music at the tender age of 3 years by his father Ustad Ghulam Abbas Khan, a classical vocalist of international repute. He is now being trained under the worthy guidance of his legendary grandfather Padmashri Ustad Ghulam Sadiq Khan, who is one of the finest classical vocalists of India. Early Life: Born in New Delhi, India. He received his initial training from his grandfather Padmashri Ustad Ghulam Sadiq Khan. As a child, he was having an interest in Music. His father Ghulam Abbas khan was among the first to note his musical talents and trained him in Mumbai, India. Ghulam Hasan Khan gave his first concert at the age of 7 years, from then he is active and giving his performances throughout India and the world. In the year 2007, he and his grandfather were invited to perform in Rashtrapati Bhawan for a special concert organized by Dr.APJ Abdul Kalam when Ghulam Hasan Khan was just 14 years old. Gifted with a sonorous and mellifluous voice, he specializes in Khayal Style which highlights the systematic 'Badhat' of Raga, intricate and graceful fast 'Sapat' gaana of full three octaves. Smooth meend and well-knitted sargam patterns, artistically intertwined with rhythmic designs. Apart from Khayal, he also renders Thumri, Tarana, Ghazal, Geet, Sufi, and Bhajan with equal ease and dexterity. His mastery of all aspects of final variations, dynamics, and timbre adjustments leaves very little to be desired in the realm of voice culture.


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