Bharatanatyam Dance Lessons for Beginners- Level II

The highlights of this course include -

• Anga Shudham (Body alignment): The physical structure of Bharatanatyam conceives the body in linear lines and movements in space, mostly in straight lines, triangles, or circles. After completing the Level I course, students clearly understand the upper torso alignment and the Aramandi position. Hence, in the Level II course, students will learn how to apply the use of eyes, head, and neck (Angas) in coordination with body movements.
• Adavus Level II: The basic steps of Bharatanatyam, Adavus, combine footwork and hand gestures. Students will learn the next five sets of Adavus (after completing Adavus 1 to 4 in the Level I course) in this course. They will learn to practice the Adavus at three speeds. The introduction of Khanda Jaati would further develop the understanding of Jaati. 
• Students will be given a basic introduction to the concept of ‘Jathi' (Combination of Adavus).
• Samyukta Hasta Viniyoga: Understanding and practising double-hand gestures. Students also learn the use of subtle facial expressions.
• Students will learn their first dance composition - Ganesh Kautuvam (A traditional invocatory piece in praise of Lord Ganesha ). This will be a preparation for them to advance to the next level of learning, which is that of the items of the ‘Margam’.
• Students will start learning the ‘Bhumi Charis’ (Leg movements prescribed in the Natya Shasta).

About the Teacher

Parijat is a choreographer and performer, currently based in Goa and Mumbai.

Parijat is the founder of 'Soul Feet' dance company. Soul feet has performed at numerous festivals and concerts across India, as well as in The Netherlands, Sweden, Hong Kong, and China.

Throughout her career, Parijat has had the opportunity to host workshops internationally in countries such as The Netherlands, France and Singapore, engaging with diverse audiences and sharing her passion for dance. She has completed her Masters in Performing at Public Space from Fontys University in The Netherlands and is formally trained in performing the 108 Karanas of the Natyashastra, along with her training in Bharatanatyam.

Recognizing that art is a collaborative and participatory experience, Parijat strives to create choreographies that inspire and engage audiences on a collective level. With an unwavering commitment to innovation and a strong belief in the power of artistic expression, she aims to contribute to the evolution of dance as a transformative and inclusive medium. She is dedicated to exploring novel methods to redefine the role of traditional classical and folk dance in modern society.