Bharatanatyam Classes - Go Deeper Grace, Rhythm & Expression

Q: How much time should I practice every day?

To get better in Bharatanatyam, regular self-practice is very important. Ideally, you should practice for 30 minutes to 1 hour every day. This helps you remember the steps, improve your stamina, and make your movements look graceful. Don’t worry if you can’t practice the same amount every day — even short, consistent practice makes a big difference. Your teacher will also give you a personal practice plan that suits your pace and goals, so you know exactly what to focus on after each class.

Q: What if I can’t attend a class?

Life can get busy, and sometimes you may not be able to attend a class. If you know in advance, please let the teacher know at least 2 days before the class. In that case, the teacher will reschedule it for a time that works for both of you, usually within the same week. If you inform late (less than 2 days before), the teacher will still try to help, but whether you get a make-up class will depend on their availability. This way, your learning continues smoothly without long breaks.

Q: How quickly will the teacher reply to my questions outside class?

You can always ask your teacher questions after class if you feel confused about something. Teachers usually reply within 24 hours. If the teacher is traveling or busy with other students, there may be a small delay, but they will get back to you as soon as possible.

Q: What if the teacher needs to reschedule a class?

Sometimes, the teacher might also need to change the schedule. In such cases, you will be informed at least 2 days before the class. A new time will be fixed that is convenient for both of you, usually within the same week. This way, you won’t lose any classes, and your learning stays on track without long gaps.

1-on-1 Class

Intermediate

by Sangeetha Ananthanarayan

25 Years Experience

A Vidwat-certified Bharatanatyam artist with 25+ years of training, blends tradition and discipline to mentor students worldwide in the authentic Kalakshetra style.

US $21.6 per class |

for 1-on-1, 50 mins class

Recommended: 1 class per week | 12-16 weeks to level up

Pay as you go, 2 classes at a time

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Instruction Language

: English

Course Summary

Teacher's Profile

About the Course

FAQs

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Course Summary

After mastering the fundamentals, this course takes you deeper into the world of Bharatanatyam Margam. Students will explore the essence of Nritta (pure dance), Nritya (expressive dance), and Natya (storytelling through dance).

You’ll begin with Alaripu, the traditional invocatory piece that combines warm-up and performance. Step by step, you’ll expand into Abhinaya (expressions), learning to convey emotions and stories through movement.

Within 3–6 months, you’ll not only strengthen your technique but also develop a deeper appreciation for Bharatanatyam, preparing yourself confidently for advanced repertoire.

Find details about the course and it will be customized for the students in the ‘About the Course section.

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Teacher's Profile

Sangeetha Ananthanarayan

Experience: 25 Years

From: India

Teacher Skill Keywords
Basics Bharatanatyam, Bharatanatyam

About the Course

This course takes you to the next stage in Bharatanatyam by strengthening what you already know and adding new movements, expressions, and dance pieces. Here’s what you’ll learn step by step:

Quick refresher of Adavus (basic steps and footwork)
Adavus are the building blocks of Bharatanatyam. In this part, we’ll quickly revise the basic steps you learned earlier. This helps make sure your posture, rhythm, and footwork are strong before moving ahead.

Learning Alaripu (the first dance piece in Bharatanatyam)
Alaripu is usually the first dance performed on stage. It is both a warm-up and a prayer to start the dance performance. You’ll learn the full piece with body movements, rhythm, and coordination.

Introduction to Abhinaya (expressions in dance)
Abhinaya means expressing emotions with your face, eyes, and body. You will practice how to show happiness, sadness, anger, love, and devotion while dancing. This will help you tell stories through dance instead of just doing movements.

Bhru Bheda (eyebrow movements) and Greeva Bheda (neck movements)
Bhru Bheda: Different ways of moving your eyebrows to express feelings. Greeva Bheda: Different graceful neck movements that make your dance look elegant. These are small but very important details that bring life to your performance.

Asamyutha Hastas (single-hand gestures) – till Chandrakala Hasta
In Bharatanatyam, hands are used to make special gestures called mudras. Asamyutha Hastas are gestures done with one hand. You will learn all the single-hand gestures up to Chandrakala Hasta, and how to use them in dance to show objects, feelings, or actions.

Samyutha Hastas (double-hand gestures) – till Samputa Hasta
Samyutha Hastas are gestures made with both hands together. These mudras are used to tell more complex stories, like showing a tree, bird, or an action. You will learn all the double-hand gestures up to Samputa Hasta, along with their meanings and uses.

Every student learns differently, so this course is shaped around your skills and goals. If you’re confident, you’ll move quickly into Abhinaya and Alaripu; if you need revision, you’ll get extra support. You’ll learn at a pace that suits you, with personal feedback after every class and a practice plan made just for you. Whether your goal is performance, exams, or fitness, the course adapts to your journey.

About the Teacher

Sangeetha Ananthanarayan is a dedicated Bharatanatyam artist with over 25 years of training in the Kalakshetra baani. Born into a family of musicians and dancers, she began her dance journey under her mother, Naatyacharya Smt. Geetha Ananthanarayan, Director of Geethanjali School of Naatyam, Bengaluru, and a senior alumna of Bharata Kalanjali, Chennai. She further trained under renowned gurus Adyar Shri K. Lakshmanan and The Dhananjayans, and carries forward this rich legacy through her performances and teaching in India and abroad.

Sangeetha is a Vidwat holder in Bharatanatyam and holds degrees in Electrical Engineering and Financial Management. Her 18 years of corporate experience bring a structured, disciplined, and professional approach to her teaching.

She has performed at prestigious venues including TEACH Auditorium Chennai, ICCR’s Every Friday Cultural Evening Programme, Sai Nrithyotsava, Aharnishi Festival, and Seva Sadan Festival. As a faculty member at Geethanjali School of Naatyam, she teaches students from beginner to advanced levels, focusing on preserving the authenticity and technique of the Kalakshetra style while inspiring students to develop grace, discipline, and a deep love for the art.