Learn the Basics of Playing Sarod

The highlights of this course include -

Understanding the Instrument

The course begins with the structure of the Sarod, how it is tuned, and how to hold it. Students learn proper hand positioning and basic tone production. The focus is on building ease and familiarity with the instrument.

Basic Techniques

Right-hand picking (Jod and Jhala) and left-hand sliding (Meend) are introduced. Exercises build coordination between both hands. Teachers provide feedback on grip, angle, pressure, and movement.

Alankars (Musical Exercises)

Students practice Alankars using Sa-Re-Ga-Ma patterns. Exercises improve finger control, speed, and pitch accuracy. The level of difficulty is adjusted based on student performance.

Introduction to Ragas

The course includes basic compositions in Raga Yaman and Raga Bhupali. Each raga is taught with its scale, characteristic phrases, and structure. Students learn to play fixed compositions (bandish) within these ragas.

Understanding Rhythm (Taal)

Students learn rhythm cycles such as Teentaal and Dadra. Counting, clapping, and foot-tapping are used to internalize the structure. Playing within the taal is gradually introduced.

Improvisation Basics

Students are introduced to Alaap, Taan, and Jhala. Improvisation is guided through repetition, listening, and teacher feedback. Recordings are used to help students recognize phrases and mood.

Performance Preparation

Students prepare a basic performance piece. The teacher helps correct notes, timing, and expression. Final recordings or live sessions are reviewed with detailed comments.

Learning Outcomes

By the end of the course, students will be able to play basic compositions in two ragas, understand two taals, perform right and left-hand techniques, and demonstrate basic improvisation. They will have a personal practice routine and be ready for intermediate-level training.

About the Teacher

Mallar Rakshit is a distinguished Sarod artist and professor at Rabindra Bharati University, known for his dedication to Indian classical music and contributions to music education. A senior disciple of Pandit Buddhadev Dasgupta, he upholds the Senia Shahjahanpur Gharana tradition with both authenticity and innovation.

Trained in the rigorous guru-shishya tradition, his playing blends technical precision with lyrical expression. His performances are celebrated for their melodic clarity, emotive depth, and mastery over both traditional and contemporary compositions.

As an educator, Rakshit has mentored numerous students, combining practical training with academic insight. His teaching bridges classical methods with modern pedagogy, and he has shared his expertise globally through lectures and masterclasses across Europe and North America.

Rakshit has also played a key role in modernizing music curricula, integrating theory, performance, and cross-cultural perspectives. He stands as a unique blend of performer, scholar, and visionary, shaping the future of Sarod and Indian classical music.